With the series’ two cinematographers living on opposite sides of the States, one might think it would pose a challenge in the post production process however, Vasich found working on the series a very collaborative process, with both cinematographers highly involved in the color-correction process. The bulk of this season takes place in two huge metropolitan cities – New York City and San Francisco – with the space in between – Colorado and the Mid-West – serving as a sort of “no man’s land.” But in reality, this season was almost entirely shot in Vancouver (with some scenes shot in the California Desert), allowing for diverse environments and landscapes. Fans can look forward to some very cool visuals, he says, along with new locations and new storylines. In August 2017, he was invited to join one of the series’ two cinematographers in Vancouver to view in-person the new props and scenery that were created for season three. Vasich, who has color corrected the series since season two, was involved early in the production process.
Dick’s 1962 novel of the same name, explores an alternative post-World War II history, in which the Allies have lost, and Nazi Germany and the Japanese Empire have divided the spoils, including the United States.
Amazon Studios’ celebrated series Man in the High Castle returns for a third season, and Technicolor is thrilled to once-again help bring the series to life through color correction provided by senior colorist Roy Vasich.